Carpet design

Design is a professional carpet in which the carpet designer builds the texture map according to the role played on the carpet. This design can be on paper or other tools.
    1 examples of traditional Iranian design
        1.1 Elliptical Plans
        1.2 Geometric
        1.3 secrets
        1.4 alphabet
        1.5 The role of the fish in the dirt
   Yale designs
These designs are one of the oldest and most original designs in Iran's carpet and is a creature of the minds of indigenous carpenters. The nature and environment of their life are reflected in the simplest form of designing these carpets. It does not follow the regular maps and is beautifully pleasing.
Carpet designers have moved this project from one region to another, as it is located in the easternmost part of Iran from the westernmost point of Iran.
The sub-groups of these schemes are often attributed to areas where the scheme originates first, or to the names of people who have been influential locally or ordered to text it. Names famous and old this group are awe-Lu (the Gulf and Abade), Qashqai bush, Afshari, Khatun, Ardabil, a hang glider, Khamse, Saveh, Tafresh, Harris, kind, Gowaravan, Zanjan and Meshkinshar, Bakhtiari, Kurdish, Yalameha, Gabbeh (Matched), Sistan, Paradise, Salarkhany, Jacob Khani, wood, stone, Ali Mirzaee, John Begay, prayer rug, period, Mvsyabad, Baluchistan, Weiss, Qrjh, year and bouquet. These designs are from the oldest and most original designs in Iran's carpet and are the creatures of the minds of indigenous carpeters. The nature and environment of their life are reflected in the simplest form of the design of these carpets. It does not follow the regular maps and is beautifully pleasing. Carpet designers have moved this project from one region to another, as it has come from the westernmost point of Iran to the easternmost region. Sub-groups of these schemes are often attributed to areas where the scheme originates first, or in the name of individuals who have been influenced locally or ordered by texture. Names famous and old this group are awe-Lou (the Gulf and Abade), Qashqai bush, Afshari, Khatun, Ardabil, a hang glider, Khamse, Saveh, Tafresh, Harris, kind, Gowravan, Zanjan and Meshkinshar, Bakhtiari, Kurdish, Yalmeh, Gabbeh (Self), Sistan, Ferdows, Salar Khani, Yaghoub Khani, Stone Stone, Ali Mirzaei, John Beigi, Jimazi, Jouin, Musaabad, Baluchestan, Weis, Gurgah, Seneh
Geometric
In this project, a variety of geometric shapes are used, usually angular and do not rotate in a curved manner.
Fersi important groups of the project are: the geometry of the frame, geometric Trnjdar, geometric Muharram, Lachak geometric medallion (broken branches), floor geometric simple, geometric errors, geometric star (Mosaic), seal geometry and geometric Joshaghani Shirazi.
Confessions
Design of Muharram plans in the carpet refers to fragments of a map of the carpet is repeated and the carpet in the context of several rows divided and each row of colored and clear plan from the beginning to the end of the carpet will continue in a way draw It turns out. The project is known in some parts of Iran called Pelangi.
The sub-groups of the altar design include a national flagpole, a grass with a single background and a background with the background of Alwan.
Almighty
The original altar design has been inspired by the altar design and has been added to decorations such as candles, pillars, flowers, and leaves.
The sub-groups are known as the Mahrabi Tree, the Mahrabi Qandiili pillar altar, the altar of vases and violets.
The role of the fish is dirty
The leaves are the foundation and principle of this role. In the event that two or four-leaf curved a lotus flower or flower Shah Abbasi in the middle of it where they are, it is said that initially leaves, fish were, at the time of the leaves turned and put the face of a man was , Later turned into the flower of Shah Abbasi and Niloofar.

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